Roger Waters has got a brand new song. It’s called Sumud. A ballad, but not just another ballad: actually a timeless Hymn to Resistance.

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Roger Waters has got a brand new song. It’s called Sumud. A ballad, but not just another ballad: actually a timeless Hymn to Resistance. From now on, these sounds, and their rallying cry, should ideally straddle the global spectrum from Mali to Java, forging an already budding Global Resistance Alliance.

Gently, nearly whispering, setting up a Leonard Cohen-esque mood, Roger starts by introducing “Sumud” in Arabic: “steadfast perseverance”. As in non-violent everyday Resistance, at every level, against the occupation, exploitation and vicious, forced colonization of Palestine. But what’s at stake is even bigger, larger than life, as he evokes how “voices join in harmony” all the way to the positive, cathartic chorus. Resistance against injustice, conceptually, should imply the profound commitment of all of us.

Roger evokes martyrs from Rachel Corrie to Marielle Franco – “oh my sisters / help me to open their eyes” – bridging gaps “across the great divide” all the way to a state of awareness as “reason comes of age”.

The persistent, hypnotic theme of “Sumud” is the struggle to reach that stage of collective consciousness “when voices join in harmony”.

As we “follow our moral compass”, voices inevitably will come to a point of “standing shoulder to shoulder”. And “from the river to the sea”, “ordinary people just standing their ground” are and will be able to make their mark.

The long dark clouds comin’ down, over and over again, do not intimidate Roger’s intuition. He chooses to close “Sumud” in the most auspicious manner, evoking parallels with Buddhism: “Together these ordinary people /they will turn the ship around”.

How to turn the ship around

The notion of an ordinary people’s collective being able to turn the current ship of (dangerous) fools around could not be more at odds with the fully oligarch-orchestrated dementia of liberal totalitarianism cum techno-feudalism, totally out of control and bent on normalizing even genocide and forced starvation. This paradigm is set to intimidate, harass, demoralize and destroy exactly these “ordinary people”.

Roger, with a simple ballad, shows that turning the game around may be in the realm of the possible. This insight comes with age, experience, and mastery of one’s craft. Roger, after all, since the 1960s is one of the prime embodiments of Shelley’s intuition about poets being “the unknown legislators of mankind”.

Many of us spent our younger days mesmerized by the ceaseless exploration and experimental overjoy contained in “Relics”, Ummagumma” or “Meddle” – even before the outer space expedition to the Dark Side of the Moon.

On several layers, “Sumud” can be apprehended as a contemporary echo of – what else – the epic transcendental experience “Echoes” , whose lyrics are as crucial as the musical voyage: “Strangers passing in the street / By chance, two separate glances meet / And I am you and what I see is me / And do I take you by the hand / And lead you through the land / And help me understand the best I can?”

London in the late 1960s meets the Global Resistance in the mid-2020s: it’s all about human inter-connection. And once that happens, nothing is more noble than reaching towards a higher purpose.

It’s the same spirit already present in “Us and Them”: “With, without / and who’ll deny / it’s what the fighting’s all about.”

The defining fight of our time is how to turn the ship around from a death cult, with impunity, being able to unleash a homicidal potential equivalent to 12 atomic bombs in Hiroshima on a population ceaselessly subjected to serial assassination, famine and calculated extermination – live, on every smartphone across the world, and all that fully blessed by the collective West.

Is it possible to lead the fight just by brandishing – and singing – a ballad? Perhaps not. But that’s an almighty start. Resist. Persevere. Like the Houthis in Yemen – hailed as ethical heroes, with a clear moral purpose, by the Global Majority. Roger’s uplifting message is that one day, that rotten ship will sink.